The important thing to remember when gathering evidence is that the more evidence the better - that is, the more evidence you gather to demonstrate your skills, the more confident an assessor can be that you have learned the skills not just at one point in time, but are continuing to apply and develop those skills (as opposed to just learning for the test!). Furthermore, one piece of evidence that you collect will not usualy demonstrate all the required criteria for a unit of competency, whereas multiple overlapping pieces of evidence will usually do the trick!
From the Wiki University
What evidence can you provide to prove your understanding of each of the following citeria?
Compose shots
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Liaise with the relevant personnel and interpret and confirm the shot requirements so that aesthetic and technical production and script/production requirements are met Completed |
Evidence:
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Generate a range of ideas for the composition of shots which provide creative solutions to the production issues Completed |
Evidence:
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Discuss ideas and collaborate, as required, with relevant personnel to ensure contribution of ideas to the initial concept Completed |
Evidence:
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Reflect on and appraise ideas for implications on cost and time, technical feasibility, and suitability to meet the production requirements Completed |
Evidence:
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Devise shots to ensure that correct visual interpretation of the script/production requirements is met through close liaison with relevant personnel Completed |
Evidence:
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Ensure that composition of shots meets the aesthetic requirements and provides the correct visual interpretation of the script/production requirements Completed |
Evidence:
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Address lighting conditions
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Assess the quality and quantity of available light and determine the amount of correction required, if necessary Completed |
Evidence:
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Confirm that the available light is sufficient for the production requirements by utilising appropriate meters Completed |
Evidence:
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Correct mixed light sources to achieve a uniform colour balance Completed |
Evidence:
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Ensure corrective actions are taken to address changing or inadequate lighting conditions Completed |
Evidence:
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Liaise closely with lighting personnel to achieve the required image and agree to the use of artificial light sources Completed |
Evidence:
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Select and use corrective filters
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Make use of corrective filters to: ; meet the creative/and or technical requirements of the production ; change the effects of available light to the quality required to suit film in use ; ensure that correct colour balance and light conditions are attained Completed |
Evidence:
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Select and use lens
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Determine the required focal length, depth of field and select lens according to technical and creative requirements and available light Completed |
Evidence:
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Select focal length according to the type and stability of the camera mounting and degree of intended camera movement during the shot Completed |
Evidence:
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Control exposure by use of correct aperture Completed |
Evidence:
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Coordinate crew to position camera
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Communicate the start and end of the moving shot clearly to all relevant personnel, as required Completed |
Evidence:
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Identify and clearly communicate the route and timing of camera movements Completed |
Evidence:
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Identify and discuss problems with relevant personnel and modify movements accordingly Completed |
Evidence:
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Position and operate camera to capture shots
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Liaise with relevant personnel regarding the shots required and ensure that their sequence is clear and coherent Completed |
Evidence:
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Position camera for shots to ensure the safety of all personnel, performers and the general public Completed |
Evidence:
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Select camera positions to meet aesthetic and technical requirements and in consultation with the appropriate personnel Completed |
Evidence:
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Consider all camera shots and angles to ensure cuts between shots produce the desired result Completed |
Evidence:
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Consider editing and other post-production requirements whilst filming Completed |
Evidence:
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Adjust and move equipment, as required, during the shoot with consideration to the timelines and deadlines of the production schedule Completed |
Evidence:
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Move camera to capture planned or rehearsed shots, according to direction received from relevant personnel Completed |
Evidence:
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Monitor the quality of the moving image during filming
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Employ photographic and composition techniques to achieve the aesthetic requirements and to capture well composed and focused shots Completed |
Evidence:
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Maintain the desired composition by ensuring that any camera movement is steady and smooth throughout the duration of the shot Completed |
Evidence:
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Maintain focus throughout the filming Completed |
Evidence:
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Execute zoom movements and focus changes to achieve the required image, and in accordance with any instructions from relevant personnel Completed |
Evidence:
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Maintain camera and lighting conditions throughout filming to ensure that image and light quality meet the stylistic effect required Completed |
Evidence:
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Coordinate the efforts of other personnel to achieve the desired image Completed |
Evidence:
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